A Separation

Movie Info

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Reviews:
Tom Long(Detroit News):These the million seem so real they might live nearest door. And they probably do.
Lisa Kennedy(Denver Post):Very small in number movies capture as convincingly as A Separation does the ways in which seemingly honorable decisions can lead to interpersonal interfere -- even disaster.
Chris Vognar(Dallas Morning News):To utter the piercing Iranian film A Separation is surrounding divorce is a bit like declaration The Wizard of Oz is with respect to a pair of slippers.
Colin Covert(Minneapolis Star Tribune):"A Separation" moves remote from one couple's sundering marriage to discover growing rifts between generations, ideologies, holy mind-sets, genders and classes in contemporaneous Iran.
Bill Goodykoontz(Arizona Republic):"A Separation" is a considerable movie, a look inside a terraqueous globe so foreign that it might of the same kind with well be another planet, yet so universal that its observations are with pain familiar to anyone, anywhere.
John Anderson(Newsday):Asghar Farhadi's emotionally narrative movie is not just a masterpiece dramatically, it is a movie dramatically of its significance.
Jonathan W. Hickman(St. Louis Post-Dispatch):What is a sin? What is right? When is it okay to lie? All these questions swirl in a movie that potency possibly be the best foreign power film at this year's Academy Awards.
Robert Denerstein(Movie Habit):One of the year's most wise reveals life in Iran
Duane Dudek(Milwaukee Journal Sentinel):A tragically well versed family drama whose heartbreaking "for destitution of a nail" sequence of events spirals in a puzzle of control at an intimate and individual of the same rank.
Tony Macklin(tonymacklin.net):A Separation shows the human struggle since respect and a better life. It's a struggle rife with human frailty. Asghar Farhadi is a underhand writer and director, and leaves us with questions that are provocative and elusive.
Marjorie Baumgarten(Austin Chronicle):Smart, inciting, and brimming with ungovernable human emotions.
Kelly Vance(East Bay Express):A flexuous, nerve-wracking, ultimately worthwhile tour of contemporaneous Iranian urban life.
Peter Canavese(Oregonian):Above all, Farhadi’s parable teaches that a eager demand to judgment inevitably turns back in c~tinuance the judge.
Chris Hewitt (St. Paul)(St. Paul Pioneer Press):Is it practicable, the movie asks, that children, by their belief in absolutes, have purer of ethics compasses than their forced-to-jeopardize parents?
John Hartl(Seattle Times):Partly a courtroom drama, partly a political satire and in some measure a twisty thriller that gradually draws you in and becomes greater degree engrossing with each new revelation.
Brian Orndorf(BrianOrndorf.com):Expectedly, the gayety is penetrating, but the feature is methodical, stewing in each last moment of unease and view, stretching to a point where Farhadi is practically lapping himself.
Frank Swietek(One Guy's Opinion):A without disturbance lacerating portrait of familial discord that morphs into a wider ~ure of society and law...While the setting main be foreign, its concerns are universal.
Scott Nash(Three Movie Buffs):A gripping tribe drama.
Susan Granger(SSG Syndicate):Ambiguous and enigmatic, it revolves around the termination of a matrimony in contemporary Tehran.

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